Alexander Grinager
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The painting by Grinager in the Fine Arts Collection,
entitled "Winter Scene" (n.d.), has been on the inventories
since the early days of documenting the Fine Arts Collection. While
it was listed as being at Luther College in the 1920s and
is included on the first formal
inventory list of 1942, no location was given for it by the 1970s.
It has been officially listed as "missing" since 1986
when more thorough records began to be maintained. There is no photograph
of the work.
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Alexander Grinager (1865-1949)
"Winter Scene"
Oil, n.d.
LFAC #86
Biography
Alexander Grinager, son of Mons and Anna Egge Grinager, who emigrated
from Brandbu, Hadeland, Norway, was born in Albert Lea, MN, on January
26, 1865. His parents lived in the Decorah area during the early years
of their marriage. He studied with C.W. Krupp, the landscape artist, in
Philadelphia, PA, before going abroad in 1887. From 1887-1891, Grinager
was a pupil at the Royal Academy in Copenhagen, Denmark where he studied
with Carl Bloch, Johan Fr. Vermehren, and Otto Backe. He also studied
in Paris at the Julien Academy under Benjamin Constant and Paul Laurens,
and while in France was particularly influenced by Manet, Monet, and by
the works of Bastien LePage. He studied further in Norway, Italy and Sicily.
After returning to the U.S., Grinager lived in Minneapolis, MN, for several
years studying with Peter Clausen, a Danish scenic painter, and Brut Harwood.
In 1896, he moved to the New York area and remained there for the remainder
of his life, making his living as an easel painter, a stage designer,
and a muralist. In New York he is said to have never received the recognition
as a painter to match the renown he achieved as a set designer. He designed
and carried out the scenic effects for many productions by David Belasco
including "Ben-Hur" and "Chanticleer." He was also
chief designer and artist at various times for Ernest Albert and Castle
& Harvey. His mural paintings included "The Streets of Baghdad"
which covered one floor of the Grand Central Palace. He also painted a
mural in 1916 entitled "Panorama of the History of the U.S. Navy"
for the San Francisco Worlds Fair. In 1932, he painted six murals
for the Century of Progress Exposition in Chicago, IL.
Grinager married Margaret Wade, a painter, designer and weaver, and had
two sons. Together they traveled to Cornwall, UK, where they joined the
Kernow Group of Truro, England, and exhibited landscapes with that group.
Grinager died March 8, 1949, at the age of eighty-four in Briar Cliff
Manor, NY.
Grinagers works were exhibited in a number of venues. He participated
in exhibits of the Minneapolis Art League and the Artists League of Minneapolis
between 1887 and 1915. He exhibited four works at the Minnesota Industrial
Exposition in 1891 and thirteen at the same Exposition two years later.
In 1910, twelve of his paintings were exhibited at the Odin Club in Minneapolis,
MN, and at the St. Paul Auditorium. In 1933-34, his works were shown at
the Century of Progress Exposition in Chicago, IL. His paintings were
regularly exhibited at the prestigious Salmagundi Club in New York between
1908 and 1946. In 1989, works by Grinager were shown at the "Norway
in America" exhibit arranged by Vesterheim for the Norsk Utvandrermuseum
in Norway. An exhibit entitled, "Paintings by Minnesotans of Norwegian
Background, 1870-1970," prepared under the auspices of the Minnesota
Historical Society at Hill House in St. Paul in 2000, also included his
paintings.
One of Grinagers best-known paintings is "Boys Bathing"
(1894) owned by the Minneapolis Art Institute. This oil on canvas has
been used as an illustration in William H. Gerdts Art Across
America: Two Centuries of Regional Painting, 1710-1920 (Abbeville
Press, 1990) and Minnesota Impressionists (Afton Historical Society
Press, 1996).
The painting by Grinager in the Fine Arts Collection, entitled "Winter
Scene" (n.d.), has been on the inventories since the early days of
documenting the Fine Arts Collection. While it was listed as being at
Luther College in the 1920s and is included on the first formal
inventory list of 1942, no location was given for it by the 1970s.
It has been officially listed as "missing" since 1986 when more
thorough records began to be maintained. There is no photograph of the
work.
Ref: Obituary, New York Times, March 9, 1949, p. 25; Hansen, Carl
G.O. My Minneapolis. Minneapolis, MN: Standard Press, 1956; Nelson,
Marion. "Revelations of Light," in Newsletter, Norwegian-American
Museum. Vol. 24 (Summer 1989), 1, 5; Gerdts, William H. Art Across
America: Two Centuries of Regional Painting, 1710-1920. New York,
NY: Abbeville Press, 1990; Nelson, Marion. Painting by Minnesotans
of Norwegian Background, 1870-1970. Northfield, MN: Norwegian-American
Historical Association, 2000.
Updated
04/18/2006
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